Provide final albums to the director/conductor. Put a burned CD in the files in Walker 212. When you meet with your advisor about the final files we will want to open the DSP Quattro file to check how you organized your work. Only the final mastered files are put in the CD Archive. Currently we are using DSP Quattro for this work. This is the final creation of the entire concert experience and includes creating an edited album. This is not something we do on most recordings and will often be handled as a separate job. This is taking content from rehearsals and replacing parts of the concert where there were performance issues. This should be complete 1 week after the concert. It is recommended that you do the back-up while striking mics or other wise winding up the session. ![]() It is good idea to record extra time before and after each take.Īt the end of each session you must back-up your recording. If you are making a session recording, make sure to keep a log of your time cues for each take on each song. Also, general audience noise is used under announcers when our recordings are broadcast on NPR.Īt the end of each session you must back-up your recording. You would not want to accidentally lose an encore because you stopped the recording too soon. You should not end recording until the house lights come up and the show is officially over. You should stop recording during intermission as this saves the audio files from the first part of the show. It is important to record most, if not all the intermission. When recording a live performance, you need to start the recording 5 minutes before the start of the show. The entire rehearsal should be recorded, with markers to notate the START and STOP of each full run-through, and any internal measure markers as needed.Īt the end of each session you must back-up your recording. They will want these files ASAP after the rehearsal so think through your process to get this distributed as fast as possible. KSO will always want a stereo recording of each full run through of each piece of music immediately following the first night of rehearsal. Rehearsal RecordingĬheck with the ensemble director about rehearsal recordings. ![]() Rehearsals are for checking your setup and making changes. ![]() During rehearsal, listen to the music and the quality of the recording you are trying to produce. Rehearsal will NOT wait for you to have your equipment set. This is already installed on the studio control room computers.ĭuring the week of the show you will supervise the load-in of the equipment and troubleshoot every microphone for signal and problems before the start of the rehearsal. Using the Visual Differ app to sync a copy of your recording folder to the Google Drive app is helpful. Do NOT record directly to the Google Drive. These files should record to the RECORDING drive on each computer, and then uploaded to Google Drive later. Recording Academy: Producers and Engineers Wing Technical Guidelines - Recommendation for Deliver of Recorded Music Projectsīefore load-in, you should set up your DAW files for both primary and backup recording machines according to your Input List, as well as any Dante patching. This should be done before load-in so that you can check input levels from the recording computers during input check at the load-in.AES: Recommendations for Delivery of Recorded Music Projects.If you are working on a Fine Arts premier recording, you will be required to do relevant research on the music and analyze various recordings of the music to be fully prepared to capture the performance. Input List Template(make a hard copy and also put in the show google folder and on Basecamp) Copies of these are to be put into the show folder in the studio, and given to the sound advisor. If you are recording a live performance, you MUST talk to the FOH Engineer for the show and together draft the mic plot and input list. ![]() You are responsible for drawing up a microphone plot and input list (schedule a meeting with a sound faculty member if you need help we are very happy to walk you through the process). It is your responsibility to see the recording is successful (with as much help as you need). Pre-ProductionĪs Recording Engineer for a specific project, you are in charge of your assigned recording. One week later, all shows you are assigned need to have a folder in the google drive and you need to have checked your schedule. Show assignments will be made at the beginning of the semester. There are quite a few people sharing the space. Clean up after yourself and do not leave the studio a mess.
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